I use sculpture and installation to amalgamate, erode, and shapeshift materiality through the ruins of capital debris. This interest functions as both a research framework and a studio methodology, allowing me to engage with multiple fields of inquiry, including the role of contemporary fossilization, conditions of hauntology, and a shifting queer ecology. Through various casting and multimedia processes, I embed and cure spliced fragments within aggregates and fatty acid solubles, obscuring their histories on and within casts of everyday goods such as beach towels, dartboards, cabbages, and terrariums. Remorphed, these materials expand their capacity for containment, performing as anthropomorphized specters suspended between gestures of preservation and erasure. These arrangements blur the line between documentation and speculation, bending timelines and reframing both past and future archaeologies.