Rachel Rampleman’s work explores identity, spectacle, and performance through bold, high-impact video portraits of larger-than-life personalities.

Rachel Rampleman (She/ Her)

Life is Drag

Artist in Residence 25

Mad Pride 24

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While in residence at SoMad, she’s expanding Life is Drag—the largest digital drag archive in the U.S.—with new works that celebrate drag in all its forms—from the spectrum of gender expression to experimental art and activism—capturing the glam, grit, and glory of a movement defined by radical creativity, resistance, and joy.

Originally from Cincinnati and currently living and working in New York City, Rampleman received her MFA from NYU in 2006. Since then her work has been shown at such venues as the Shanghai Biennale (China, Brooklyn Pavilion, 2012-13), the Chennai Photo Biennale (India), S.M.A.K. (Stedelijk Museum voor Actuele Kunst) and Art Cinema OFFoff (Ghent, Belgium), VIDEONALE.16 at the Kunstmuseum Bonn, C/O Berlin, Die Fruhperle, and The Secret Cabinet (Berlin, Germany), Socrates Sculpture Park, SPRING/BREAK Art Show, Smack Mellon, Auxiliary Projects, BAM, Satellite Art Show, Spectacle Theater, The Wassaic Project, Flux Factory, VOX Bizarre, The Warehouse Gallery, SELECT Art Fair, un(SCENE) Art Show, Cantor Film Center (New York), The Wexner Center for the Arts, The Contemporary Arts Center, The Weston Art Gallery (Ohio), University Hall Gallery at UMass Boston (Massachusetts), PULSE Miami (Florida), The Flint Art Institute, (Michigan), the Carnegie Museum of Art, and The Andy Warhol Museum (Pennsylvania).

Rachel recently had a survey exhibition on view at Satellite Gallery LES, as well as solo exhibitions at the cell, La MaMa, VOLTA NY (New York), These Things Take Time (Ghent, Belgium), Carl Solway Gallery, The Neon Heater Art Gallery, Weston Art Gallery in the Aronoff Center for the Arts (Ohio), 3S Artspace (New Hampshire), and an early career retrospective at CEPA Gallery in Buffalo, New York.

She has also created curatorial projects with Vanessa Albury as The Sun That Never Sets for venues such as The Frank Institute at CR10 in the Hudson Valley and SPRING/BREAK Art Show in NYC. Rachel’s work has been reviewed in The New York Times, The Huffington Post, Art F City, Paper Magazine, Artnet, DRAIN, Domino, eyes toward the dove, HYPERALLERGIC, Gothamist, Berlin Art Parasites, the Fanzine, Seattle Pi, Absolute Arts, ÆQAI, and LeCool Bangkok, among others.